More Writing

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Gigliotti, C. (2022). “Opinion: Biodiversity Loss Worsened by Extinguishing Animal Innovators.” The Scientist. October, Issue 2. p. 31-32.

Gigliotti, C. [Review] The Way of Reconciliation. Gavin Van Horn, The Way of Coyote: Shared Journeys in the Urban Wild Humanimalia, 11(1), Spring 2020.

Gigliotti, C. [Review Essay] “Another Word for Home.” Roger Thompson, No Word for Wilderness: Italy’s Grizzlies and the Race to Save the Rarest Bears on Earth Humanimalia, 10(2), Spring 2019, 231-236.

Gigliotti, C. (2017) “The Struggle for Compassion and Justice through Critical Animal Studies.” in The Oxford Handbook Of Animal Studies, (Ed.) Linda Kaloff. Oxford University Press.

Gigliotti, C.(2015) “Hard Destiny: Julie Andreyev’s and Simon Lysander Overstall’s ‘Salmon People.” Art after Dark: 10 Years of UrbanScreen. Surrey, British Columbia: Surrey Art Gallery. June 14, 2016.

Gigliotti, C. (2014) “Aesthetics of a Virtual World: with updated Preface” Reprinted in Antennae: Antennae: the Journal of Nature in the Visual Culture. 30 (Winter). 7-20.

Gigliotti, C. (2014) “Animal | Artist: Review of Steve Baker’s Artist | Animal.” Humanimalia: a journal of human/animal interface studies 6 (1) Fall. 128-134.

Gigliotti, C. (2012) “Animal Influence.” Animal Influence I. Antennae: the Journal of Nature in the Visual Culture. 21(Summer). 5-16.

Bekoff, M. and Gigliotti, C. (2012) “Carol Gigliotti in Conversation with Marc Bekoff.” Animal Influence II. Antennae: the Journal of Nature in the Visual Culture. 22 (Autumn). 72-79.

Tom and Nancy Regan, Interview by Carol Gigliotti, “The Case for Animal Rights”, Antennae: the Journal of Nature in the Visual Culture. 19 (Winter). 42-49. 2011.

Gigliotti, C. (2011) “Animals and the Creative Arts.” in (Ed.) Margo DeMello. An Introduction to Human-Animal Studies. New York: Columbia University Press.

Gigliotti, C. (2010) “Heartburn: Indigestion, Contention, and Animals in Contemporary Art.” Antennae: the Journal of Nature in Visual Culture. 10 (Fall): 25-34.

Gigliotti, C. (2009) “Artificial Life and the Lives of the Non-human (updated version).” Antennae: the Journal of Nature in Visual Culture. 9 (Spring): 17-22.

Gigliotti, C. (Ed.). (2009) Leonardo’s Choice: Genetic technologies and animals. Dorchedt: Springer. The Introduction may be read here.

Gigliotti, C. (2008). “Leonardo’s Choice: the ethics of artists working with genetic technologies.” Reprinted in Gill, Satinder (ed.) Cognition, Communication and Interaction: Transdisciplinary Perspectives on Interactive Technology. London: Springer Verlag, 536-548.

Gigliotti, C. (2008) “Sustaining Creativity and the Loss of the Wild” In M. Alexenberg (Ed.) Educating Artists in a Digital Age: Learning at the Intersections of Art, Science, Technology and Culture. Bristol, UK: Intellect Press/Chicago: University of Chicago Press.

Gigliotti, C. (2006) (Ed.). “Special Issue: Genetic Technologies and Animals. AI and Society (2006) 20 (1).

Gigliotti, C. (2006) “Leonardo’s Choice: the ethics of artists working with genetic technologies.” In C. Gigliotti, (Ed.) Special Issue: Genetic Technologies and Animals. AI and Society 20(10): 22-34.

Baker, S. and Gigliotti, C. (2006) “We have always been transgenic: a dialogue.” In C. Gigliotti, (Ed.) Special Issue: Genetic Technologies and Animals. AI and Society 20 (1): 35-48.

Gigliotti, C. (2005) “Artificial Life and the Lives of the Non-human” Parachute 119: 06 (05): 69-83.

Gigliotti, C. (2005) “Shifting Vision: the importance of metaphor in the recent work of M. Simon Levin.” In C.H.A.R.T.: Catalogue for the Exhibition. Surrey Art Gallery, Surrey, BC, Canada.

Gigliotti, C. (2003) “Women and Aesthetics of New Media.” trAce Online Writing Center (20 June/2003).

Gigliotti, C. (2002) “Reverie, Osmose and Ephemere; Carol Gigliotti interviews Char Davies.” n. paradoxa 9:(Eco)Logical, 64-73

Gigliotti, C. (2002) “What is Consciousness for?” Colin Beardon and Lone Malmborg (eds.) Digital Creativity: A Reader. Innovations in Art and Design. Swets & Zetlinger.

Gigliotti, C. (2001) “Gigliotti/Laiwan/Cutler: Cyberplace” K. Henry, (ed.) Art is All Over. (Emily Carr Institute of Art and Design).

Gigliotti, C. (2001) “The Prerogative to Change Our Minds: The Work of Nancy Paterson” in L.Davison (Ed.) Nature: Autobiographies in New Media by Nancy Paterson SAG Publications: Surrey, BC.

Gigliotti, C. (2001) “The Challenge of the Technological Future and the Arts.” Art Education Policy Review, January.Vol. 201 (3).

Gigliotti, C. (1999) “The Ethical Life of the Digital Aesthetic.” P. Lunenfeld, (Ed.) The Digital Dialectic: New Essays on New Media. Cambridge, Massachusetts: The MIT Press.

Gigliotti, C. (1999) “The Metaphoric Environment of Art and Technology” In R. Ascott (Ed.) Reframing Consciousness. Intellect Books: Exeter, England. 277-281.

Gigliotti, C. (1998). “Bridge To, Bridge From: The Arts, Education and Technology.” Leonardo: Journal of the International Society for the Arts, Sciences and Technology 31(2): 87-92.

Gigliotti, C. (1998). “What is Consciousness For?” Digital Creativity 9(1), 33-37.

Gigliotti, C. (1997) “Aesthetics of Interactive Technology.” In D. Gregory (Ed.) New technologies and Art Education, Reston, Virginia: NAEA.

Gigliotti, C. (1996) (Ed.). “Critical Essays of The Bridge SIGGRAPH 96 Art Show” in Critical Essays, Visual Proceedings: The Art and Interdisciplinary programs of SIGGRAPH 96. New York: ACM SIGGRAPH.

Gigliotti, C. (1996) “The Bridge”. In Critical Essays, Visual Proceedings: The Art and Interdisciplinary programs of SIGGRAPH 96. New York: ACM SIGGRAPH.

Gigliotti, C. (1995) “Aesthetics of a Virtual World.” Leonardo: Journal of the International Society for the Arts, Sciences and technology. 28 (4): 289-297.

Gigliotti, C. (1995) “The Values of Perception.” Catalogue essay for the 1995 tri-site ACCAD exhibit The Processing of Perception. Wexner Center for the Arts, Martin Luther King Arts Complex, and the Center of Science and Industry, Columbus, Ohio. Also on CD-ROM. Columbus, Ohio: ACCAD/OSU.

Gigliotti, C. (1994) “The Wisdom of Purpose.” Catalogue essay for Softworlds 2.1: The Imperial Message. Wexner Center for the Arts: Columbus, OH.

Gigliotti, C. (1992). “VR, or the Modern Frankenstein.” Interface, 4(2)

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