{"id":254,"date":"2021-12-12T06:49:49","date_gmt":"2021-12-12T06:49:49","guid":{"rendered":"https:\/\/carolgigliotti.com\/dir\/e-books\/"},"modified":"2024-04-30T18:26:48","modified_gmt":"2024-04-30T18:26:48","slug":"more-writing","status":"publish","type":"page","link":"https:\/\/carolgigliotti.com\/dir\/more-writing\/","title":{"rendered":"More Writing"},"content":{"rendered":"\n
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More Writing<\/h1>\n\n\n\n
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Gigliotti, C. (2022). “Opinion: Biodiversity Loss Worsened by Extinguishing Animal Innovators.” The Scientist. October, Issue 2. p. 31-32. <\/a><\/p>\n\n\n\n

Gigliotti, C. [Review] The Way of Reconciliation. Gavin Van Horn, The Way of Coyote: Shared Journeys in the Urban Wild<\/em> Humanimalia, 11(1), Spring 2020.<\/a><\/p>\n\n\n\n

Gigliotti, C. [Review Essay]\u00a0“Another Word for Home.”\u00a0Roger Thompson,\u00a0No Word for Wilderness: Italy\u2019s Grizzlies and the Race to Save the Rarest Bears on Earth<\/em>\u00a0Humanimalia, 10(2), Spring 2019, 231-236.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2017) <\/a>\u201cThe Struggle for Compassion and Justice through Critical Animal Studies.\u201d <\/a>in The Oxford Handbook Of Animal Studies, (Ed.) Linda Kaloff. Oxford University Press.<\/a><\/p>\n\n\n\n

Gigliotti, C.(2015) “Hard Destiny: Julie Andreyev\u2019s and Simon Lysander Overstall\u2019s \u2018Salmon People.” Art after Dark: 10 Years of UrbanScreen<\/em>. Surrey, British Columbia: Surrey Art Gallery. June 14, 2016.<\/p>\n\n\n\n

Gigliotti, C. (2014) \u201cAesthetics of a Virtual World: with updated Preface\u201d Reprinted in Antennae: Antennae: the Journal of Nature in the Visual Culture. 30 (Winter). 7-20.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2014) \u201cAnimal | Artist: Review of Steve Baker\u2019s Artist | Animal.\u201d Humanimalia: a journal of human\/animal interface studies 6 (1) Fall. 128-134<\/a>.<\/p>\n\n\n\n

Gigliotti, C. (2012) \u201cAnimal Influence.\u201d Animal Influence I. Antennae: the Journal of Nature in the Visual Culture. 21(Summer). 5-16.<\/a><\/p>\n\n\n\n

Bekoff, M. and Gigliotti, C. (2012) \u201cCarol Gigliotti in Conversation with Marc Bekoff.\u201d Animal Influence II. Antennae: the Journal of Nature in the Visual Culture. 22 (Autumn). 72-79.<\/a><\/p>\n\n\n\n

Tom and Nancy Regan, Interview by Carol Gigliotti, “The Case for Animal Rights”, Antennae: the Journal of Nature in the Visual Culture. 19 (Winter). 42-49. 2011.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2011) \u201cAnimals and the Creative Arts.\u201d in (Ed.) Margo DeMello. An Introduction to Human-Animal Studies. New York: Columbia University Press.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2010) \u201cHeartburn: Indigestion, Contention, and Animals in Contemporary Art.\u201d Antennae: the Journal of Nature in Visual Culture. 10 (Fall): 25-34.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2009) \u201cArtificial Life and the Lives of the Non-human (updated version).\u201d Antennae: the Journal of Nature in Visual Culture. 9 (Spring): 17-22.<\/p>\n\n\n\n

Gigliotti, C. (Ed.). (2009) Leonardo\u2019s Choice: Genetic technologies and animals. Dorchedt: Springer.<\/a> The Introduction may be read here<\/a>.<\/p>\n\n\n\n

Gigliotti, C. (2008). \u201cLeonardo\u2019s Choice: the ethics of artists working with genetic technologies.\u201d Reprinted in Gill, Satinder (ed.) Cognition, Communication and Interaction: Transdisciplinary Perspectives on Interactive Technology. London: Springer Verlag, 536-548.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2008) \u201cSustaining Creativity and the Loss of the Wild\u201d In M. Alexenberg (Ed.) Educating Artists in a Digital Age: Learning at the Intersections of Art, Science, Technology and Culture. Bristol, UK: Intellect Press\/Chicago: University of Chicago Press.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2006) (Ed.). \u201cSpecial Issue: Genetic Technologies and Animals. AI and Society (2006) 20 (1).<\/a><\/p>\n\n\n\n

Gigliotti, C. (2006) \u201cLeonardo\u2019s Choice: the ethics of artists working with genetic technologies.\u201d In C. Gigliotti, (Ed.) Special Issue: Genetic Technologies and Animals. AI and Society 20(10): 22-34.<\/a><\/p>\n\n\n\n

Baker, S. and Gigliotti, C. (2006) \u201cWe have always been transgenic: a dialogue.\u201d In C. Gigliotti, (Ed.) Special Issue: Genetic Technologies and Animals. AI and Society 20 (1): 35-48.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2005) \u201cArtificial Life and the Lives of the Non-human\u201d Parachute 119: 06 (05): 69-83.<\/p>\n\n\n\n

Gigliotti, C. (2005) \u201cShifting Vision: the importance of metaphor in the recent work of M. Simon Levin.\u201d In C.H.A.R.T.: Catalogue for the Exhibition. Surrey Art Gallery, Surrey, BC, Canada.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2003) \u201cWomen and Aesthetics of New Media.\u201d trAce Online Writing Center (20 June\/2003).<\/p>\n\n\n\n

Gigliotti, C. (2002) \u201cReverie, Osmose and Ephemere; Carol Gigliotti interviews Char Davies.\u201d n. paradoxa 9:(Eco)Logical, 64-73<\/a><\/p>\n\n\n\n

Gigliotti, C. (2002) \u201cWhat is Consciousness for?\u201d Colin Beardon and Lone Malmborg (eds.) Digital Creativity: A Reader. Innovations in Art and Design. Swets & Zetlinger.<\/a><\/p>\n\n\n\n

Gigliotti, C. (2001) \u201cGigliotti\/Laiwan\/Cutler: Cyberplace\u201d K. Henry, (ed.) Art is All Over. (Emily Carr Institute of Art and Design).<\/p>\n\n\n\n

Gigliotti, C. (2001) \u201cThe Prerogative to Change Our Minds: The Work of Nancy Paterson\u201d in L.Davison (Ed.) Nature: Autobiographies in New Media by Nancy Paterson SAG Publications: Surrey, BC.<\/p>\n\n\n\n

Gigliotti, C. (2001) \u201cThe Challenge of the Technological Future and the Arts.\u201d Art Education Policy Review, January.Vol. 201 (3).<\/a><\/p>\n\n\n\n

Gigliotti, C. (1999) \u201cThe Ethical Life of the Digital Aesthetic.\u201d P. Lunenfeld, (Ed.) The Digital Dialectic: New Essays on New Media. Cambridge, Massachusetts: The MIT Press.<\/a><\/p>\n\n\n\n

Gigliotti, C. (1999) \u201cThe Metaphoric Environment of Art and Technology\u201d In R. Ascott (Ed.) Reframing Consciousness. Intellect Books: Exeter, England. 277-281.<\/a><\/p>\n\n\n\n

Gigliotti, C. (1998). \u201cBridge To, Bridge From: The Arts, Education and Technology.\u201d Leonardo: Journal of the International Society for the Arts, Sciences and Technology 31(2): 87-92.<\/a><\/p>\n\n\n\n

Gigliotti, C. (1998). \u201cWhat is Consciousness For?\u201d Digital Creativity 9(1), 33-37.<\/a><\/p>\n\n\n\n

Gigliotti, C. (1997) \u201cAesthetics of Interactive Technology.\u201d In D. Gregory (Ed.) New technologies and Art Education, Reston, Virginia: NAEA.<\/p>\n\n\n\n

Gigliotti, C. (1996) (Ed.). \u201cCritical Essays of The Bridge SIGGRAPH 96 Art Show\u201d in Critical Essays, Visual Proceedings: The Art and Interdisciplinary programs of SIGGRAPH 96. New York: ACM SIGGRAPH.<\/p>\n\n\n\n

Gigliotti, C. (1996) \u201cThe Bridge\u201d. In Critical Essays, Visual Proceedings: The Art and Interdisciplinary programs of SIGGRAPH 96. New York: ACM SIGGRAPH.<\/p>\n\n\n\n

Gigliotti, C. (1995) \u201cAesthetics of a Virtual World.\u201d Leonardo: Journal of the International Society for the Arts, Sciences and technology. 28 (4): 289-297.<\/a><\/p>\n\n\n\n

Gigliotti, C. (1995) \u201cThe Values of Perception.\u201d Catalogue essay for the 1995 tri-site ACCAD exhibit The Processing of Perception. Wexner Center for the Arts, Martin Luther King Arts Complex, and the Center of Science and Industry, Columbus, Ohio. Also on CD-ROM. Columbus, Ohio: ACCAD\/OSU.<\/p>\n\n\n\n

Gigliotti, C. (1994) \u201cThe Wisdom of Purpose.\u201d Catalogue essay for Softworlds 2.1: The Imperial Message. Wexner Center for the Arts: Columbus, OH.<\/p>\n\n\n\n

Gigliotti, C. (1992). \u201cVR, or the Modern Frankenstein.\u201d Interface, 4(2)<\/p>\n\n\n\n

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